COURSE DESCRIPTION
MPFV213X Optical Printing: Conscious Manipulation of
Space, Time and Light , Before Flash, Photoshop or digital animation, there was the animation stand and the optical printer. The optical printer is used to rephotograph already developed film, allowing for a kind of exploration, alteration or extraction of particular image qualities. The animation stand, a film camera on a movable mount with motion control for photographing artwork, allows for the design and repetition of multiple accurate moves. This class focuses on learning the art of analog film effects on these versatile devices, which were the basis for the design of today’s digital programs. Learn how to shape the space, time and light of the motion picture image. Play with the magical qualities of the celluloid image. Students will work on 16mm film and quickly gain hands on experience through numerous demonstrations and exercises. Screenings of key works, both experimental and mainstream, will illustrate myriad techniques. No prior film experience necessary. Students of all artistic disciplines are welcome and encouraged to attend.
ABOUT THE INSTRUCTOR
Adam Savje is a film artist who is currently Studio Manager for the Animation Department at Massachusetts College of Art and Design. He has worked professionally as an optical effects cameraperson in NY and has taught optical printing, animation and handmade film courses at both the School of the Museum of Fine Art and MassArt. He is currently at work finishing two 16mm films "Spherical Melancholia" and "An Alchemical Reflection".
with any questions.
Above: The Oxberry Master Series Animation Stand, full motion control of every axis via Cinetron System. 35mm/16mm Capability, Bipack Capability.
Above: Close up of Oxberry.
Above: Optical Printer with ThingM Sequencer System. Projector can use 16mm, Super8mm, Regular 8mm and 35mm Slides.